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Vata Patra Shayi Krishna Tanjore Painting | Baby Krishna on Lotus Leaf | 22Ct Gold Classical Tanjore Art | 8 x 6 Inch

Vata Patra Shayi Krishna Tanjore Painting | Baby Krishna on Lotus Leaf | 22Ct Gold Classical Tanjore Art | 8 x 6 Inch

Regular price Rs. 8,200.00
Regular price Rs. 17,250.00 Sale price Rs. 8,200.00
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Vata Patra Shayi Krishna Tanjore Painting – The Infant Who Holds the Universe

Before the world began, there was water. Endless, dark, primordial water — the cosmic ocean of Pralaya, the great dissolution between one creation and the next. And floating on that infinite ocean, on a single green lotus leaf, was a child.

Not frightened. Not lost. Completely at ease.

This is Vata Patra Shayi Krishna — one of the most profound and rarely depicted forms in all of Vaishnavite art. The infant Krishna, reclining on a lotus leaf on the cosmic waters, holding the entire dissolved universe within his small body, waiting with the patience of eternity for the moment of the next creation. The fish swim around him. Ships sail in the distance. The cosmos continues its breath. And the child simply rests — because he is the cosmos, and the cosmos is at rest within him.

The Symbolism – What This Image Is Really Saying

Every element of this image carries a meaning that has been contemplated by sages and devotees for thousands of years.

The lotus leaf — the most sacred symbol in Indian philosophy. The lotus grows in muddy water and remains untouched by it. The leaf floats on the surface of the cosmic ocean without being submerged. This is the nature of the divine — present in the world, moving through it, never defined by it. The infant Krishna on the lotus leaf is the living image of that truth: in the world, but not of it. Holding everything, attached to nothing.

The cosmic ocean — the waters of Pralaya, the great dissolution. Everything that was — every star, every mountain, every life ever lived — has returned to this water. And yet the child is not overwhelmed. He rests. Because for him, dissolution is not an ending. It is simply the pause between one breath and the next. The ocean that terrifies the human mind is, for Krishna, a cradle.

The fish and the ships — life continues even in dissolution. The fish swim. The ships sail. The universe does not stop — it simply changes form. This is the teaching of impermanence that the image carries without a single word: nothing is truly lost. Everything is held, within the child, waiting to be born again.

The infant form — why a child? Because the child is the most honest image of the divine. No agenda. No performance. No effort. Pure being. The infant Krishna does not hold the universe through force or will. He holds it the way a child holds a dream — effortlessly, naturally, without even knowing he is doing it. This is the deepest teaching of this form: the universe is not maintained by effort. It is held by grace.

The jewels and adornments — even in the moment of cosmic dissolution, even floating alone on the primordial ocean, the divine child is fully adorned. Crown, necklaces, waistband, anklets — all present, all luminous. Because the divine does not dress for an audience. It is simply, always, in its full glory — whether anyone is watching or not.

This Vata Patra Shayi Krishna Tanjore painting does not merely depict a scene. It holds a philosophy — the most complete and comforting philosophy in the Hindu tradition: that at the heart of all dissolution, all uncertainty, all endings, there is a child at rest. And the child is fine. And therefore, so are you.

What This Painting Does to a Space

Place this Baby Krishna Tanjore painting in your meditation room or pooja room and feel what it does to the quality of stillness in that space. This is not the Krishna of action or the Krishna of devotion. This is the Krishna of pure being — and his presence invites the room, and everyone in it, into that same quality of effortless rest.

Place him in a child’s room — the divine child watching over the human child, both of them at ease in a world that is, at its deepest level, held by grace. Place him in your bedroom, where the last image before sleep and the first image upon waking is the reminder that the universe is not in danger. It is resting. In the hands of a child who has never once dropped it.

The Frame – A Collector’s Piece in Itself

This painting comes in a distinctive antique zigzag carved wooden frame — hand-carved, deep black, with the characteristic pointed crown-cut edges that are unique to a specific tradition of South Indian frame-making. This is not a standard frame. It is a frame that announces, before you even look at the painting inside it, that what you are about to see is something out of the ordinary. The frame and the painting together are a complete collector’s piece.

Why Buy This Tanjore Painting from Sri Swaminathan & Co?

Vata Patra Shayi Krishna is one of the rarest forms in Tanjore art. Most Tanjore painters never attempt it. The composition — the floating leaf, the cosmic waters, the fish, the ships, the reclining infant — demands a level of compositional mastery that only the most experienced artisans can achieve. This is not a painting you will find everywhere. This is a painting you find here.

Every Tanjore painting we make comes from Kumbakonam and Thanjavur, made by artisans who hold the Shilpa Guru Award, the National Award, and multiple state recognitions. You buy directly from us, with no middlemen. Every painting ships with a Certificate of Authenticity, and before it leaves our hands, we offer a WhatsApp Live View — you see the exact piece, in real light, before it arrives.

Awards & Recognition

Our artisans hold the Shilpa Guru Award — India’s highest lifetime honour for traditional craft masters — along with the National Award from the Government of India, the State Award and Kalamani Award from the Tamil Nadu Government, the Merit Award from the Andhra Pradesh Government, and recognition as Master Tutors by the Tamil Nadu Handicrafts Development Corporation Ltd. These are not certificates on a wall. They are the reason you can trust what you are bringing into your home.

Packing, Delivery & Customisation

Every Tanjore painting we ship is wrapped, cushioned, and double-boxed. Delivery is fully insured, pan-India and international. Before shipping, we send you a WhatsApp Live View of your exact painting in real light. Custom sizes are available on request, with a delivery time of 20 to 30 days. Contact us on WhatsApp → +91 94875 32260

Product Details

Size: 8 x 6 Inches (with frame) — Style: Classical Tanjore Art, Traditional Vibrant Colours — Base: Solid wood with cloth foundation — Relief: Authentic Makku 3D work with semi-precious stones — Frame: Antique zigzag hand-carved wooden frame — Made in India, 100% Handmade in Tamil Nadu

Certificate of Authenticity included — Fully insured delivery — Double-box protective packaging — Easy 7-day returns — WhatsApp Live View before shipping: +91 94875 32260

“At the end of everything — every world, every age, every life — there is a child on a leaf, floating on the water, completely at rest. He is not waiting to be rescued. He is the one doing the holding. Bring him home. And let him hold yours.”

Frequently Asked Questions

We understand this completely. You are buying online from a shop you have never visited. Here is the truth: Sri Swaminathan & Co has been standing at 61, Bakthapuri Street, Kumbakonam since 1973 — over 53 years. We are not a warehouse or a reseller. We are a family shop, rooted in Kumbakonam, where priests, temples, and devotees from across Tamil Nadu have been coming for generations. Travellers from Singapore, Malaysia, UK, and USA visit us when they come to Kumbakonam — because they know us. You can walk into our shop any day. We are real.
Because most sites sell products. We sell legacy. Every item in our shop — whether it is a small brass lamp or a 4-foot Panchaloha idol — comes from craftsmen whose families have been doing this since the Chola period. We do not source from factories. We do not compromise on material or finish to reduce price. When you buy from us, you are not just getting a product — you are getting 53 years of trust, traditional craftsmanship, and the assurance that what you receive is exactly what a devotee deserves.
This is a fair concern and we respect it. Here is why we do not offer COD — our products are handcrafted, fragile, and carefully packed for safe delivery. COD returns damage both the product and the trust. Instead, we offer something better: WhatsApp us before you order. We will send you a video of the actual product — the exact piece you will receive. You can ask us anything. Only when you are fully satisfied, you pay. Our 53-year reputation is our guarantee — we cannot afford to let even one customer down.
Not at all — and we are glad you asked this. Our products are made of brass and Panchaloha — metals that naturally catch and reflect light from every angle. What you see as dark shades or bright reflections in photos is simply the metal doing what metal does — glowing, reflecting, and shining. We photograph every product as-is, with no filters, no AI, no editing. That reflection you see in the photo? You will see the same beautiful glow when it sits in your pooja room. It is not a defect — it is the character of real metal.
Yes — and here is why we say this with full confidence. Panchaloha idols require the right alloy, the right casting method, and the right finishing — done by craftsmen who understand the spiritual significance of what they are making. Our Panchaloha idols are hand-cast in Kumbakonam and Swamimalai by hereditary artisans using the traditional lost-wax method — the same method used to make idols for consecrated temples across South India. Priests trust our idols for temple installation. Families trust us for home pooja rooms. In 53 years, that trust has never been broken.