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Classic Yugala Radha Krishna Brass Statue - 17.5cm / 6.9-Inch
Classic Yugala Radha Krishna Brass Statue - 17.5cm / 6.9-Inch
SKU : 14118
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Sri Swaminathan & Co · Since 1973 · Sacred Trust
Ananda Yugala — Radha and Krishna, The Divine Couple United in Eternal Love
Solid Brass · Antique Finish · 17.5 cm · Tribhanga Yugala Form · Kumbakonam Heritage
“The Bansuri does not play a melody. It plays a question — and Radha is the answer. Where Krishna stands in his three-fold bending grace and lifts the flute to his lips, the cosmos does not merely hear music. It remembers, for a moment, what it was made for. And Radha, standing beside him with the lotus in her hand, has always known.”
The Ananda Yugala — the divine couple in their most intimate and most complete form — is the form in which Lord Krishna and Goddess Radha are worshipped as the supreme expression of sacred love, household harmony, and the unity of the individual soul with the divine. Lord Krishna stands in his signature Tribhanga — the three-fold bending posture of supreme grace — his fingers positioned over the flute holes, his traditional matted locks flowing over his shoulders, his entire being the visual declaration of divine beauty at rest in its own completeness. Beside him stands Goddess Radha, her gaze turned toward him with serene and steady devotion, a sacred lotus bud in her hand — the symbol of material growth and continuous family prosperity held by the one whose love for the divine is the tradition’s highest ideal of Bhakti. This exceptional solid brass Yugala statue, cast from high-grade brass with a hand-rubbed antique finish by our master artisans in Kumbakonam, brings the combined energy of spiritual love, household harmony, and pure devotion directly into your sacred altar space.
Lord Krishna — The Tribhanga Bansuri Form
- Tribhanga Posture — the three-fold bending stance that is Krishna’s alone in the entire tradition: head inclined, torso curved, weight shifted to one hip. The Narada Bhakti Sutras describe the Tribhanga as the posture of a being so completely at ease in its own divine nature that the body expresses it involuntarily — not a pose but an overflow. No other deity in the Hindu tradition stands this way. It belongs exclusively to the one who played the flute on the banks of the Yamuna and caused the entire cosmos to stop and listen.
- The Bansuri — The Sacred Flute — held to his lips, fingers gracefully positioned over the holes, the flute is both the instrument and the teaching. The Bhagavata Purana’s Rasa Lila passages describe the Bansuri’s sound as the call that the individual soul — the Jiva — cannot resist when it is ready to return to the divine. Krishna does not chase the soul. He plays. And the soul comes. A home where the flute-playing Krishna is installed is a home that carries this call — perpetually, gently, irresistibly.
- Traditional Matted Locks — flowing neatly over his shoulders, each strand individually rendered in the antique brass depth of the hand-chiselled casting.
- Ornate Crown and Jewels — the Mukuta and full jewel detail of Krishna in his most complete royal and devotional form, every element visible in the depth of the antique finish.
Goddess Radha — The Lotus, The Gaze, The Devotion
- The Sacred Lotus Bud — held in her hand as the symbol of material growth and continuous family prosperity. The Padma Purana’s lotus bud — not yet fully opened, abundance still gathering itself before full expression — is in Radha’s hand the promise of the household’s flourishing: beauty and abundance arriving together, grace preceding the gift.
- The Gaze Toward Krishna — Radha looks toward him with a serene, graceful expression. The Brahma Vaivarta Purana identifies Radha’s gaze as the highest form of devotion in the tradition — not petition, not need, but the steady, undemanding, completely present attention of a being whose love requires nothing added to it and loses nothing from it. A home where this gaze is present is a home that carries this quality: love that does not diminish, attention that does not wander.
- Ornate Garments and Crown — beautifully carved traditional silk saree folds, layered chest bands, heavy necklaces, multi-layered waist bands, and the Mukuta — every detail hand-chiselled with the same precision as her lord’s form beside her.
The Antique Finish & Oval Lotus Pedestal
The divine couple stands upon a heavy, thick oval lotus pedestal — chiselled with a continuous sequence of upward-flaring lotus petals that anchor the full 1,190 gram mass with complete stability. The pedestal’s oval form mirrors the unity of the Yugala — one base for two forms, inseparable, complete together. The hand-rubbed antique finish leaves rich dark oxidation inside the fine robe creases and jewellery recesses, contrasting against the polished metal peaks to reveal the full three-dimensional depth of the carving from every angle. Because this statue is cast from high-grade raw solid brass with no chemical lacquers, clear coats, or synthetic protective sprays, it is fully compatible with active home ritual — abhishekam with water, milk, curd, honey, and panchamrit. Over generations of regular worship, the brass continues to develop its temple patina. The original golden highlights can be restored at any time before a function by polishing with traditional tamarind paste, fresh lemon juice, or pitambari powder. The back, profile, and frontal aspects are fully carved with equal precision — the sculpture is completely detailed no matter how it is viewed.
Sacred Specifications
| Specification | Details |
|---|---|
| Iconographic Form | Radha Krishna Standing Together — Ananda Yugala |
| Height | 17.5 cm / 6.9 inch |
| Maximum Length | 11.0 cm / 4.3 inch |
| Depth | 7.5 cm / 2.95 inch |
| Weight | ~1,190 g / 2.62 lbs |
| Material | High-grade pure heavy solid brass — no lacquer, no coating |
| Finish | Raw hand-polished antique finish |
| Base | Oval tiered lotus pedestal — upward-flaring petal carving |
| Carving | 360-degree full detail — front, profile, and back equally finished |
| Ritual Use | Fully suitable for abhishekam, daily worship, and all ritual practices |
| Origin | Kumbakonam Heritage — crafted by our master artisans |
Weight is approximate and may vary slightly. Sold as a single unified piece — Radha and Krishna on one shared base.
Sacred Blessings & Vastu Placement
- Marital Harmony — the Yugala form’s primary blessing: a warm, loving household environment. The presence of Radha-Krishna establishes the quality of their relationship — steady devotion, unconditional regard, beauty in companionship — as the living atmosphere of the home.
- Creative Flow and Peace — Krishna’s musical energy balances artistic focus, speech clarity, and peace in the household. Creative work, study, and expression are blessed by the one whose Bansuri is the tradition’s supreme symbol of inspired creation.
- Spiritual Love and Bhakti — the highest form of devotion — Radha’s undemanding, steady, completely present love — enters the home as an atmosphere. Those who live in it find their own devotional life deepened.
- Material Prosperity — Radha’s lotus bud: the promise of the household’s continuous flourishing, beauty and abundance arriving together.
- Vastu Direction — place inside the Northeast or East sectors of your home mandir or living room. Keep the couple facing North or West to invite smooth, morning-aligned blessings.
- Living Space Presence — the oval footprint (7.5 cm depth) rests securely on glass tables or floating wall shelves. Functions as a heritage showpiece of commanding presence and conversation for visiting guests.
Auspicious Occasions & Gifting
At ~1,190 grams of solid brass with a 360-degree finished carving, the Yugala Radha Krishna delivers both premium weight and extraordinary craft presence. This is the gift that is placed on the altar immediately and remains there for generations.
Perfect for weddings and newlywed couples · Grihapravesham (housewarming) · Shashtiabdhapoorthi · Sathabhishekam · Janmashtami · Radhashtami · business inaugurations · premium corporate gifting. Recognised and treasured by devotees across India, Malaysia, Singapore, the Gulf, UK, and Australia.
Care & Maintenance
- Abhishekam — fully suitable for water, milk, curd, honey, and panchamrit. Wipe dry after each ritual.
- Daily Dusting — wipe gently with a soft dry cloth. The antique finish’s dark oxidation in the robe creases and jewellery recesses is best maintained with a soft brush to keep the detail crisp.
- Restoring the Golden Highlights — polish with traditional tamarind paste, fresh lemon juice, or pitambari powder before any function. The original radiant golden finish returns completely.
- Avoid Harsh Chemicals — no synthetic cleaners, chemical sprays, or abrasive pads. The antique patina is a living finish — it will deepen beautifully over decades of worship with traditional care.
- Natural Patina — over generations of regular prayer cycles, the brass develops the deep, rich temple patina that accentuates every hand-chiselled detail of the robe folds, the flute fingers, the lotus petals, and the crown. This is natural and deeply auspicious.
“He plays the flute and does not look for her. She holds the lotus and does not look away from him. In this — in the music offered without demand, in the attention given without condition — the entire teaching of the Bhagavata is present. Love that needs nothing to complete it. Devotion that asks nothing in return. Place this in your home. Let it remind you, every morning, of what a household built on this quality becomes.”
What you see on this page is the real product — photographed as it is, with no digital editing or AI enhancement. The statue you receive will look exactly as shown.
Sri Swaminathan & Co · Since 1973 · Sacred Trust
Kumbakonam · Tamil Nadu · Trusted by Devotees & Collectors Across India & the World
Care & Maintenance
Made from super fine quality brass with a golden powder coated polish — gives a satin gold glow like a gold statue. Purely for decor and dry display. If used for pooja rituals, the golden polish layer will peel off over time. Keep it dry — and it will look as fresh as the day you bought it. Always.
No restrictions for pooja rituals. Avoid harsh chemicals to preserve its traditional antique look. The dark patina is intentional — it deepens the beauty over time.
Powerful. Preferred for active pooja rituals — no restrictions. Traditional Cleaning Method: Use dara liquid and cashew nut seeds — an ancient method used by temple priests for generations. Gently rub with cashew nut seeds dipped in dara liquid. Rinse clean. Your idol will look brand new. Cleaning once every 30 days is recommended if used regularly for pooja.