Skip to product information
1 of 4

Sri Swaminathan & Co

INCLUSIVE OF ALL TAXES

Raja Ganapathi Tanjore Painting | 22K Gold Foil | Classical Tanjore Art | 15 x 12 Inch

Raja Ganapathi Tanjore Painting | 22K Gold Foil | Classical Tanjore Art | 15 x 12 Inch

Regular price Rs. 32,900.00
Regular price Rs. 49,350.00 Sale price Rs. 32,900.00
Freedom Day Sales In Production
Shipping calculated at checkout.

Availability : In Stock

Shipping & Returns

🚚 free shipping on all orders above ₹2,000 for India delivery only.

Tamil Nadu: 1-3 days
South India (outside Tamil Nadu): 2–5 days
Rest of India: 5–10 days

🌍 International shipping - International shipping charges will be added to the product price.
Call or WhatsApp us for shipping cost before ordering

View full details

Raja Ganapathi Tanjore Painting – The King of All Beginnings, in 22K Gold Foil

Of the 32 classical forms of Ganesha described in the ancient texts, Raja Ganapathi is the one that stops you. Not because he is the most powerful — though he is. Not because he is the most auspicious — though he is that too. But because he is the most complete. The form in which every dimension of Ganesha’s divine nature — his wisdom, his abundance, his protection, his grace, his joy — is present simultaneously, in full expression, at full intensity.

Raja means king. And in this painting, Ganesha is exactly that — seated in absolute royal authority, four arms holding the Ankusha, the Pasha, his own broken tusk, and a bowl overflowing with golden Modak and fruits. His luminous pink complexion radiates the Gaura quality — the auspicious, light-filled presence that the ancient texts associate with the highest blessings. A golden halo crowns his head. His jewelled crown towers above it. His forest green silk dhoti falls in perfect classical folds. His sacred mouse Mooshika sits faithfully at his feet, carrying his own small offering box — the most devoted servant in the divine court, present and ready.

The deep midnight black background makes every colour in this painting emerge with extraordinary intensity. The rose and white garlands. The golden border scrollwork. The green silk curtain drapes on either side of the arch. The pearl dot detailing along the inner border. Under warm light, the 22K gold foil in this painting does not merely glow. It commands the room.

Raja Ganapathi – The Symbolism of the Most Complete Form

Every element of Raja Ganapathi carries a meaning that devotees and scholars have contemplated for centuries.

The Ankusha — the divine goad, the instrument of direction. It is the symbol of Ganesha’s power to guide the mind away from distraction and toward its highest purpose. In the hands of Raja Ganapathi, it is not a weapon. It is a compass. He does not force the path. He points to it.

The Pasha — the noose, the instrument of capture. It binds the obstacles that stand between the devotee and their goal. Not with violence, but with the quiet, irresistible authority of the divine. What Ganesha binds stays bound.

The broken tusk — the most personal of all his symbols. Ganesha broke his own tusk to use as a pen when transcribing the Mahabharata — because the task of preserving wisdom was more important than the preservation of his own perfection. He sacrificed beauty for truth. That is the nature of real wisdom.

The Modak — the sweet rice dumpling, the favourite offering of Ganesha, the symbol of the sweetness that awaits at the end of every obstacle cleared. In Raja Ganapathi’s bowl, it overflows. The abundance he offers is not measured. It is complete.

Mooshika, the sacred mouse — the most misunderstood figure in Ganesha’s iconography. The mouse represents the mind — restless, darting, impossible to still. That Ganesha rides the mouse is the image of the divine intellect that has mastered the restless mind completely. In Raja Ganapathi’s court, Mooshika sits at his feet with his own offering box — the mind, fully tamed, fully devoted, fully at service. This is the state that every meditator seeks. Ganesha has already achieved it. And in his presence, so can you.

What This Painting Does to a Space

Place this Raja Ganapathi Tanjore painting in your pooja room and the space becomes a complete shrine to the most auspicious beginning possible. Place him in your living room and every guest who enters will feel the quality of the room shift — the quiet authority of a home held by the King of Beginnings. Place him in your office or business space, above the desk where decisions are made, at the entrance where clients first arrive — and invoke his blessing on every venture, every meeting, every new chapter that begins in that room.

Under the warm glow of a pooja lamp or a premium LED spotlight, the 22K gold foil in this painting catches the light and holds it in a way that no photograph can capture. It must be seen in person. And once seen, it redefines what you thought a Tanjore painting could be.

Why Buy This Gold Foil Tanjore Painting from Sri Swaminathan & Co?

A 22K gold foil Tanjore painting of Raja Ganapathi is not something to purchase without knowing exactly who made it. The gold foil application demands a mastery that only the most experienced artisans possess — done by a master, it lasts a century and grows more luminous with age. Done poorly, it dulls within years.

Every gold foil Tanjore painting we make comes from Kumbakonam and Thanjavur, made by artisans who hold the Shilpa Guru Award — India’s highest lifetime honour for traditional craft masters — along with the National Award from the Government of India, the State Award and Kalamani Award from the Tamil Nadu Government, the Merit Award from the Andhra Pradesh Government, and recognition as Master Tutors by the Tamil Nadu Handicrafts Development Corporation Ltd.

You buy directly from us. No middlemen. Every painting ships with a Certificate of Authenticity. Before it leaves our hands, we offer a WhatsApp Live View — you see the exact piece, in real light, with the gold foil catching the light exactly as it will in your home.

When you buy from Sri Swaminathan & Co, you are not buying wall art. You are acquiring a 100-year piece of living Indian heritage.

The Craft – What You Are Looking At

Every raised detail — the jewelled crown, the four arms and their attributes, the cascading garlands, the ornate gold border with its scrollwork arch and pearl dot detailing, the green silk curtain drapes — is built by hand using the Makku relief technique. Chalk-and-adhesive paste, applied layer by layer, sculpted before the gold foil is laid. Then authentic 22 Carat gold foil, applied leaf by leaf, burnished by hand to achieve the depth and luminosity that defines a true masterpiece.

No two Raja Ganapathi Tanjore paintings are identical. This is a one-of-a-kind original.

Packing, Delivery & Customisation

Every Tanjore painting we ship is wrapped, cushioned, and double-boxed. Delivery is fully insured, pan-India and international. Before shipping, we send you a WhatsApp Live View of your exact painting in real light. Custom sizes available on request, delivery 20 to 30 days. Contact us on WhatsApp → +91 94875 32260

Product Details

Size: 15 x 12 Inches (with frame) — Style: 22K Gold Foil Tanjore Art — Base: Solid wood with cloth foundation — Relief: Authentic Makku 3D work with semi-precious stones — Gold: Authentic 22 Carat gold foil, applied by hand — Frame: Premium black beaded wooden frame — Made in India, 100% Handmade in Tamil Nadu

Certificate of Authenticity included — Fully insured delivery — Double-box protective packaging — Easy 7-day returns — WhatsApp Live View before shipping: +91 94875 32260

“Of all the forms Ganesha takes, Raja Ganapathi is the one he wears when he wants you to know — without any doubt — that the path is open, the obstacles are gone, and the abundance waiting at the end of it is beyond what you dared to ask for.”

Frequently Asked Questions

We understand this completely. You are buying online from a shop you have never visited. Here is the truth: Sri Swaminathan & Co has been standing at 61, Bakthapuri Street, Kumbakonam since 1973 — over 53 years. We are not a warehouse or a reseller. We are a family shop, rooted in Kumbakonam, where priests, temples, and devotees from across Tamil Nadu have been coming for generations. Travellers from Singapore, Malaysia, UK, and USA visit us when they come to Kumbakonam — because they know us. You can walk into our shop any day. We are real.
Because most sites sell products. We sell legacy. Every item in our shop — whether it is a small brass lamp or a 4-foot Panchaloha idol — comes from craftsmen whose families have been doing this since the Chola period. We do not source from factories. We do not compromise on material or finish to reduce price. When you buy from us, you are not just getting a product — you are getting 53 years of trust, traditional craftsmanship, and the assurance that what you receive is exactly what a devotee deserves.
This is a fair concern and we respect it. Here is why we do not offer COD — our products are handcrafted, fragile, and carefully packed for safe delivery. COD returns damage both the product and the trust. Instead, we offer something better: WhatsApp us before you order. We will send you a video of the actual product — the exact piece you will receive. You can ask us anything. Only when you are fully satisfied, you pay. Our 53-year reputation is our guarantee — we cannot afford to let even one customer down.
Not at all — and we are glad you asked this. Our products are made of brass and Panchaloha — metals that naturally catch and reflect light from every angle. What you see as dark shades or bright reflections in photos is simply the metal doing what metal does — glowing, reflecting, and shining. We photograph every product as-is, with no filters, no AI, no editing. That reflection you see in the photo? You will see the same beautiful glow when it sits in your pooja room. It is not a defect — it is the character of real metal.
Yes — and here is why we say this with full confidence. Panchaloha idols require the right alloy, the right casting method, and the right finishing — done by craftsmen who understand the spiritual significance of what they are making. Our Panchaloha idols are hand-cast in Kumbakonam and Swamimalai by hereditary artisans using the traditional lost-wax method — the same method used to make idols for consecrated temples across South India. Priests trust our idols for temple installation. Families trust us for home pooja rooms. In 53 years, that trust has never been broken.